VIDEOAGE "PAPER CLIPS": A WEEKLY PRESS REVIEW
PROGRAMMING
After the success of their MTV celebrity prank show Punk'd,
producers and Katalyst Films-owners Ashton Kutcher and Jason Goldberg
are heading for the Internet. The production duo plans to create
short-form shows for AOL.com and the AOL Instant Messenger service.
The deal calls for the creation of five programs with at least 20
episodes per program.
Reuters
Australia's
SBS TV news show Dateline featured previously unpublished
film images of Abu Ghraib prison abuse on its Wednesday night program.
Some of the pictures have now been re-broadcast on U.S. networks
and on Arab satellite channel al-Arabiya. Al-Arabiya is broadcasting
half a dozen of the new Abu Ghraib images, though it has refrained
from showing the most shocking.
BBC
News
Poor Arrested
Development. The critically acclaimed show -- to paraphrase
Rodney Dangerfield --- "gets no respect." Exacerbated by the fact
that the Olympics' opening ceremony was broadcast at the same time,
the comedy series' (presumed) finale on Friday night suffered the
same low ratings that have plagued the show throughout its run.
And while there had been talk that Showtime or ABC might buy the
show once Fox dropped it, that now seems highly unlikely.
E!
Online
BUSINESS
ProsiebenSat.1 Media is off the market. On Monday, Haim Saban announced
that his company will not seek a buyer. The announcement came after
the cartel office in Germany blocked the broadcaster's sale to Axel
Springer, Germany's largest newspaper publisher. Springer, which
owns German newspaper, Bild, had offered 4.2 billion euros
for an acquisition that would have joined one of the country's largest
broadcasters with its largest publisher.
The
New York Times
Former soccer
announcer and quiz show host Eddie McGuire will face quite a few
catch-22s as he takes up the reins as chief executive of Australia's
Nine Network. In a recent interview, McGuire spoke specifically
of the need to attract younger audiences to free-TV without losing
older viewers; the need to meet audience demand for new mobile small-screen
services while also catering to consumers with wide-screen home
entertainment systems; and, above all, the need to address the long-term
challenge of declining audiences while focusing on the immediate
problems of ratings, revenue and morale.
The
Australian
TECHNOLOGY
Joining the ranks of the U.S. networks that have made their TV shows
available for download through Apple's iTunes website, the Canadian
Broadcasting Corp. (CBC) is negotiating with Google and Apple on
a deal that could lead these companies to offer downloadable television
content in Canada. The CBC is taking advantage of the fact that
it is one of the few Canadian networks that owns the rights to many
of its programs.
The
Globe and Mail
CONTROVERSY
While most family dramas effect only the feuding familial relations,
the stakes are a bit higher when the drama takes place among a media
mogul's family. Brent Redstone, son of Viacom and CBS Corp. controller
Sumner Redstone, has filed a lawsuit looking to force a break-up
of his father's empire, charging that he has not been treated fairly
and his sister is being favored. Brent Redstone is asking that his
father's $8 billion movie theater company be dissolved. He wants
access to his one-sixth interest in the company, valued at $1.3
billion. That stake is currently in a trust to which he does not
have access.
The
New York Times
ADVERTISING
Nielsen's decision to include DVR playback in its ratings research
could serve as a major asset to broadcasters. But Madison Avenue
may not serve to benefit quite as much from the data. Ad buyers
are being faced with a multi-billion dollar uncertainty as to what
the implications of this research are, and how much they should
rely on these statistics when deciding which TV shows and networks
to support.
The
New York Times
FILM
In an effort to thwart filmmakers from leaving, Ontario is extending
its tax credit for another year. The province's 18 percent tax credit
was set to expire at the end of March, but will now continue until
March 31, 2007. The tax credit is for foreign productions only,
and was established as filmmakers increasingly moved their projects
to British Columbia, Quebec and the United States.
The
Globe and Mail
The Czech Republic's
crown jewel studios, Barrandov, have gone through quite a few changes
in the last year...and the changes keep on coming. Last year, the
studios' management changed, and a finance executive -- not a film
executive -- was chosen to head the facility. Now, the studios will
increase their film production capacity with a new 43,000 square
foot studio, a plan designed to boost local as well as international
moviemaking in the country.
THE
Prague Post
The New Montreal
FilmFest is no more. The brainchild of Montreal festival guru Alain
Simard only experienced one highly unsuccessful edition before folding.
Telefilm and Quebec funding agency SODEC had created the fest to
replace Serge Losique's World Film Festival, but, the FilmFest's
fate didn't exactly turn out as planned.
The
Gazette
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